The Beginning Ultimate Fighter Home
This week’s episode was billed as Kimbo Slice wanting to step in for an injured fighter and Marcus “Big Baby” Jones collapsing in the house due to exhaustion.
However, the marketing genesis at UFC gets us once again (at least for this week’s episode). Either Marcus or Kimbo were picked to fight this week. But we need to keep a close eye on Jones because of his knee injury shown last week and him now sweating uncontrolably at the house.
Once again Team Rashad has control over picking the fights and Head Coach Rashad Evans chooses Schaub vs. Rogers to fight. Rampage seems like he just won the lottery after the fight was announced.
On fight day, while Rogers is heading into the UFC Gym, Rampages Coaches decides it’s time for lunch and lunch can’t wait. Pulling away fromt he Gym in someone’s SUV shouting out “We’ll be back.”
While Schaub is getting his hands taped and warming up, half of the Team Rampage fighters are in the locker room sitting around not doing anything and saying “Rampage will be back, don’t worry.” Rampage finally comes in and asked why everyone is just sitting around not helping Rogers warm up. So now right before this elimination fight, Schaub is warmed up and ready while Rogers is just now getting his hands taped and loosing up.
The Fight: Brendan Schaub (4-0) vs. Demico Rogers (4-0)
WEIGH-INS: Brendan Schaub– 240 lbs. Demico Rogers– 235 bls.
ROUND ONE: Fighters meet in the middle and start gagging distance and establishing footwork. Fighters exchange punches, lock up with both fighters getting one under hook and one over hook. Rogers then reaches for a take down of Schaub and finished it in Schaubs guard. Rogers proceeds to land good punches and short elbows that are landing but not causing Schaub to lose his focus. Schaub stays active under nieth until Rogers passes into half-guard and then side control. Again Rogers keeping his opponent down and landing good mixed strikes.
Schaub puts his right knee inbetween him and Rogers, pushes Rogers away and scrables to get the reversal. Schaub returns some of the punches given right back to Rogers. Rogers spots an opening to get out from under Schaub and in the scrable Schaub catches Rogers head and right arm. Then Schaub rolls Rogers into an Anaconda Choke; Schaub walks his legs around towards Rogers body and Rogers taps.
Result: Brendan Schaub via Submission (Anaconda Choke).
After the fight was over, no one from the Rampage coaching staff went in to check on Rogers. Finally Rashad and one of his assistances goes over and congratulates Rogers on a good fight and gives him positive feed back. Rampage is just sitting out side of the octagon while all of this happens, complaining that he has the ‘worst luck in the world.’
Very unprofessional of Team Rampage. Rogers has a right to be personally upset at his coaching staff.
Fight Overall:
Rogers was looking great on the feet and in Schaub’s guard. His only mistake was letting Schaub, a talented BJJ fither, get his knee inbetween him and Rogers to create that space to get our from under him. Rogers was winning that fight BIG until the reversal and follow-up scrable that led to the submission. Rogers also look great on his feet and I believe he was winning the stand up battle. Schaub walked away from the fight with a deep red spot on the side of his right eye. I saw no damage on Rogers at the end.
Schaub looked excellent. Staying active under Rogers strikes and seeing and taking advantage of the spots he needed to win/end the fight in his faver. If boxing is his strong suit then I would recommend showing more if it. He looked timade on his feet against Rogers.
By Kyle Conroy
Polymer Play Works is proud to announce that it’s having a whole collection of fired clay pieces. Clays include precious metal clay & pottery clay. Polymer Play Works goal is to reach out to people who have never experienced polymer clay, precious metal clay, and pottery clay. Polymer Play Works will be selling pendants, wearable art, mugs, plates, bowls, vases, and much more. I’ve had a kiln for three years, and have only used it once. I started off with precious metal clay because of it’s versaitility and mom and I have a good friend that’s been working with it for years. I’ve always been inspired by handcrafted pottery and it’s possibilities as well. I love handcrafted items for the kitchen and the home. So I’ve decided to incoporate all of these things that I love to do into one. Colorful, comfortable, useful, helpful, & handcrafted. I’ve known about precious metal clay, but didn’t know much about hand-built pottery. I’m looking forward to creating with all three of these clays that have endless possibilites. My goal is to eventually create an online catalog with all of my clays incorporated with my works. Keep your eyes open for my online catalog. Have fun and enjoy new and exciting fired up clays with Polymer Play Works.
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Tomorrow is Election Day! If you are unhappy with how things are going in your corner of the world, GET OUT AND VOTE! Otherwise, things won’t change.
Tomorrow’s elections are for municipal officials, school board seats, District judges, PA Superior Court judges, Commonweath Court judges and Common Pleas Court judges!
If you live in Pottstown SD (4 seats open) or Owen J Roberts SD (6 seats open) I hope you vote. These elections will impact your wallet depending on who gets elected and what course of action each district will take as a result.
Four Pottstown Borough Council seats and Pottstown Mayor are up for grabs. Again, if you don’t like the way things are going now is your chance to vote for change. We need more people on Council who will move Pottstown forward!
The polls are open from 7 am until 8 pm tomorrow (Tuesday, November 3rd). If you are not sure where to vote, you can go to the Pottstown Borough website, for example, and find out. Pottstown lists polling places under About Pottstown, Voting Locations on their website:
http://www.pottstown.org/about_voting.htm/
If you don’t live in Pottstown, check your township or borough website for voting information.
Howdy folks, first, a few brief personal notes:
1. I’m in West Virginia working on the ballot access drive mentioned below
2. My birthday is today. I still have very little internet access, and would appreciate hearing from you all at 415-690-6352. Email will not reach me again for several days.
3. Today is also IPR’s first birthday.
Site summary:
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Total 655,239
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Wes Benedict sent out this letter about our project in West Virginia:
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Dear West Virginia Friend of Liberty,
I have been very impressed with the remarkable accomplishments of the Libertarian Party of West Virgina so far this year regarding ballot access and candidate recruitment under the leadership of the new Chair, Matt Harris.
I hope you’ll visit their website and contribute $100 or $200 to help pay for petition signatures to get six candidates on the ballot for the November 2010 elections.
They’ve got an experienced petitioner on the ground collecting signatures now thanks to a recent $1,000 contribution, and need $500 minimum to keep going for another week. They’re also doing work to prepare for 2012.
The six candidates they’ve identified are for County Commissioner and the West Virginia House of Delegates. These petition drives are small and manageable, requiring only a few hundred valid signatures each.
It’s been a while since the Libertarian Party of West Virginia ran candidates for office. In 2008, our Libertarian nominee for President, Bob Barr, raised nearly $45,000 to hire people to collect the 15,100 valid signatures to get on the ballot in West Virginia. But they ran out of time, were short on signatures, and failed to get on the ballot.
That was a big disappointment, not only for West Virginians, but for Libertarians throughout the country who wanted to see the Libertarian candidate on as many state ballots as possible.
But the great news for the future is that this year West Virginia Libertarians helped get a bill past by the legislature and signed into law by Governor Joe Manchin which effectively cuts into half the number of signatures required for Libertarian candidates to get onto the ballot in West Virginia. So, instead of needing nearly $45,000 for the 2012 presidential petition drive, it should take only about half that much.
Additionally, rather than waiting for the 2012 presidential candidate or the National Libertarian Party to fund a West Virgina drive, the LPWV is taking matters into their own hands and getting started right away.
They’re also doing things in an efficient manner by collecting signatures both for their 2010 candidates, and at the same time, collecting signatures to have 2012 candidates for Governor and President on the ballot.
Here’s why that’s an efficient process. It can be hard to get somebody to stop and listen to you and then to sign a petition. However, once you get a person to stop and sign one petition, it’s quite easy to get them to sign a second or third petition while they’re standing there.
My name is Wes Benedict and I served as Executive Director of the Libertarian Party of Texas from 2004 to 2008. Here are some highlights of my tenure:
Recruited a record 173 LP candidates for office in Texas for the November 2008 elections, which was 29% of the nationwide LP total.
While Texas has 8% of U.S. population, LPTX candidates in 2008 received 28% of the U.S. House and 44% of the State Representative votes received by Libertarians nationwide.
Libertarians known elected to nonpartisan offices in Texas increased from 2 to 8.
Increased LPTX donor base from under 300 in 2005 to over 900 in 2008.
Raised $244,000 for the 2007-2008 election cycle for TX, which was more than CA, FL and NY combined (which comprise 24% of U.S. population).
While I am very proud of our accomplishments in Texas, none of that would have been possible if the National Libertarian Party hadn’t helped the Libertarian Party of Texas get onto the ballot in 2004 by contributing $45,000 to that effort.
Because others helped Texas in 2004 when we needed help, I’m happy to help out West Virginia, and I’ll be forwarding this email to some of my Texas friends to see if they’ll lend a hand as well. I’m just doing this as a volunteer.
I can’t guarantee that they’ll be successful or that nothing will go wrong. I’m in Texas, not West Virginia. However, I do hope that others will recognize that Matt Harris and the LPWV are showing initiative and making things happen and I want to do what I can to encourage and reward those self-starters.
I do hope you will help out with the West Virgina petitioning by visiting their website and donating $100 or $200 or whatever you feel comfortable with.
Click here to donate or paste this link into your web browser: https://secure.donortownsquare.com/SSL/donate.aspx?sgst=0&amt=0&ai=876&qs=SS7G6
or visit their website at http://www.lpwv.org/ and click on the DONATE ONLINE button.
You can mail a check or money order to:
LPWV
PO Box 4428
Star City, West Virginia 26504
Send me a note or call me between 8 AM and 10 PM CST if you’d like to discuss this further. Also, I’d appreciate it if you’d send me a note if you donate. I’m trying to make sure I help them find $500 by tomorrow.
Regards,
–Wes Benedict
Former Executive Director of the Libertarian Party of Texas
512-442-4910 home
512-659-8896 cell
wesliberty@aol.com
Preluding to additional Tellus posts on Continuo in the following days, I’m including here the new updated introduction (written for Ubuweb last december 2007 but as yet unreleased) and an up-to-date cassettography – now including the latter’s recent posts, further internet research and personal purchases. The following is still the most comprehensive cassettography available worldwide and an exclusive Continuo feature. Additionally, the Harvestworks website has been revamped and updated early 2008 and the Artists-In-Residence program is still active. Most participants to past Tellus releases where benefactors of this program, so why not expect a relaunch of the Tellus audio releases series in 2008?
TELLUS GENERAL INTRODUCTION
Launched in 1983 as a subscription only bimonthly publication, the Tellus cassette series took full advantage of the popular cassette medium to promote cutting edge music, documenting the New York scene and advanced US composers of the time – the first 2 issues being devoted to NY artists from the downtown scene. The series was financially supported along the years by funding from the New York State Council of the Arts and the National Endowment for the Arts.
Obviously, the Tellus publishers (visual artist and composer Joseph Nechvatal, curator Claudia Gould and composer Carol Parkinson, director of Harvestworks from 1987 on) never considered running an underground publication, rather envisaging the cassette medium as an art form in itself. A quite unique point of view at a time (the 1980s) when many self released cassettes blossomed through mail order or trade between artists, and when the cassette milieu was promoting DIY technique, even anti-art as a motto. The Audio Cassette Magazine never indulged into amateurism, their releases always focused, well researched and aptly curated. From the start, the founding members deliberately aimed at raising the profile of their cassette releases, sending issues to US public libraries and museums, for instance. The Tellus team launched the Harvestworks Artist-In- Residence Program along the cassette series, to promote independent artists’ projects and provide them with a professional recording facility, named Studio PASS.
Tellus ‘The Audio Cassette Magazine’ was in activity for 10 years (1983-1993), witnessing the digital revolution taking place in the new media arts. Some points of comparison can be established with the Toronto based MusicWorks Journal and cassette, launched 1978, or with the ROIR cassette only releases of various musical styles, from Flipper to Lee Perry to Einsturzende Neubauten, launched 1981. Tellus published audio art, new music, poetry and drama, exploring musical spheres as diverse as avant-garde composition, post industrial music, NY no wave, Fluxus music, heirs of Harry Partch, avant rock, sound poetry, radio plays, tango, electroacoustic music, etc.
The series included some landmark sound works now regarded as historical: Louise Lawler’s ‘Birdcalls’ (Tellus #5-6), Christian Marclay 1982’s ‘Groove’ (Tellus#8), Lee Ranaldo ‘The Bridge’ (Tellus#10), Alison Knowles ‘Nivea Cream Piece’ (Tellus#24), etc. Tellus always championed women and gay composers, which was very needed in the macho experimental music sphere of the times. Curatorial policy has proved very efficient as well – asking specialists to compile a program in their own field insured state of the art results. Today, Tellus is mentioned as an inspiration to the opening of the Sound Art Museum in Rome in 2007. An exhibition was held at Printed Matter, NY, devoted to contemporary American cassette culture (’Leaderless: Underground Cassette Culture Now’, May 12 to 26, 2007). It seems it’s now time to reappraise Tellus’ major contribution to the perception of independent music as an art form.
. . . . . . . . . . .
TELLUS CASSETTOGRAPHY UPDATED [as of June 23, 2008]
Tellus #1 cassette 1983 (curated by Claudia Gould, Joseph Nechvatal, Carol Parkinson. With Jody Harris, Jerry Lindahl, Sonic Youth, Brenda Hutchinson, Live Skull, Tom Lopez/ZBS Productions, Rat-at-Rat-R, Bradley Eros, Bruce Tovsky, Gretchen Langheld, Mitch Corber, Barbara Ess (with Barbara Barg), Joseph Nechvatal, Verge Piersoi, Tron Von Hollywood with Raina Jane Sherry, David Linton, Rhys Chatham)
Tellus #2 cassette 1984, (curated by Claudia Gould, Joseph Nechvatal, Carol Parkinson. With Kiki Smith, John Fekner, Vernita Nemec, The Scene Is Now, Tony Papa, Cardboard Air Band, Peter Nechvatal, Charlie Morrow, Alex Noyes, Ikkoh Mine, David Rosenbloom, Carol Parkinson, David Garland, John Fekner, Mitch Corber, Jamie Daglish and George Elliot, Dr. Telecom, Charlie Noyes, Holly Huges+Sally A. White+Maureen Angelos+Jill Kirschen+Janee Pipik, Ron Kuivala)
Tellus #3 cassette 1984 (curated by Claudia Gould, Joseph Nechvatal, Carol Parkinson. With Kirby Malone, Jim Farmer, Christopher Knowles, Disband, Chain Gang, Gregory Whltehead, Daniel Shklalr, Bruce Tovaky, Wolfgang Staehle and Steve Pollack, Isaac Jackson, Cardboard Air Band, John Shirley and Sync 66, Tim Schellenbeum, The Tlnklers, Boom, Brian Reinbolt, Wharton Tiers)
Tellus #4 cassette 1984 (curated by Claudia Gould, Joseph Nechvatal, Carol Parkinson. With Julius Eastman, David Weinstein, Michael Byron, Paul Dresher, Carol Parkinson, Ellen Fullman, John Morton)
Tellus #5 & 6 cassettes ‘Special Double Audio Visual Issue’ 1984. (curated by Claudia Gould, Joseph Nechvatal, Carol Parkinson. With Louise Lawler, Paul McMahon and Nancy Chun, Julie Harrison, Richard Prince, Julie Wachtel, Perry Hoberman, Ericka Beckman, David Wojnarowicz and Doug Bressler, Paul McMahon and Nancy Chun, Raimund Kummer, Barbara Barg and Barbara Ess, Kathryn High, Bite Like A Kitty, Anne Turyn, Michael Smith, Rhys Chatham)
Tellus #7 cassette ‘The Word I’ 1984 (with Linda Fisher, Michael Peppe, Wiska Radiewicz, John Miller, Terry Wilson, Lynne Tillman, Victor Poison-Tete, Jean-Paul Curtay, Claire Picher, Patrick McGrath, Molly Elder, Michael Gira, Gregory Whitehead, Nicolas Nowack, Cid Collins Walker, Richard Kostelanetz, Paul Bob Town, Nameless Stone Productions).
Tellus #8 cassette ‘USA/Germany’ 1985 (with Konk, Joshua Fried, Details At Eleven, Cargo Cult, Destructo, His Masters Voice, Rat At Rat R, Yellow Grave, Live Skull, Elliott Sharp, Fast Forward, Christian Marclay, Club of Rome (aka Asmus Tietchens), Saurekeller, Galerie Global, Nicolas Nowack)
Tellus #9 cassette ‘Music with Memory’ 1985 (curated by John Driscoll. With Nicolas Collins, John Driscoll, Brenda Hutchinson, Ron Kuivila, Paul De Marinis)
Tellus #10 cassette ‘All Guitars!’ 1985 (curated by Live Skull founding member Tom Paine. With Lee Ranaldo, Arto Lindsay and Toni Nogueira, Janice Sloane, Butthole Surfers, New Detroit Inc., Bob Mould, Bond Bergland, Joseph Nechvatal, Elliot Sharp, David Llnton, Jules Baptiste, Tim Schellenbaum, Bump, Rudolph Gray, Hahn Rowe, John Myra, Lydia Lunch and Lucy Hamilton, Sue Manel, Bliss BargeId, Andrew Nahem, Sandra Seymour, Run Nigger Run, Thurston Moore, Mark C. and Marnie Greenholz, Glenn Branca, James Vidos, Angela Babln and Joe Dizney, Frankenjerry)
Tellus #11 cassette ‘The Sound of Radio’ 1985. (curated by Karen Frillmann & Karen Pearlman and with Jay Allison, Adam Cornford & Daniel Crafts, Susan Stone, The New York IPS, M’lou Zahner Ollswang, Ginna Allison, Marjorie van Halteren, Lou Giansante, Karen McPherson, Barrett Golding, Rick Harris, Janice Bell & Portia Franklin, Melanie Berzon, Edward Haber, Steve Jones, Helen Thorington, Ginger Miles, Karen Frillmann)
Tellus #12 cassette ‘Dance’ 1986. (curated by Gretchen Langheld & Bruce Tovsky and with Bill Obrecht, A. Leroy, R. McQuire, Carol Parkinson, Linda Fisher, Lenny Pickett, Anita Feldman+Michael Kowalski, J.A. Deane, Gretchen Langheld, Bruce Tovsky, Brooks Williams, Jim Farmer, Hearn Gadbois, Liquid Liquid, Al Diaz, David Linton)
Tellus #13 cassette ‘Power Electronics’ 1986. (curated by Joseph Nechvatal, with Maybe Mental, Merzbow, Amor Fati, If, Bwana, Rhys Chatham, Psyclones, Blackhouse, Joseph Nechvatal, Master/slave Relationship, Maybe Mental, Architects Office, Controlled Bleeding, Mojo, Coup De Grace, Le Syndicat, Mitch Corber, F/i)
Tellus #14 cassette ‘Just Intonation’ 1986. (curated by the Just Intonation Network and with Harry Partch, Ralph David Hill, Carola B. Anderson, David Hykes, Lou Harrison, Jon Catler, David Canright, David B. Doty, John Bischoff,+Jim Norton+Tim Perkis, Ben Johnston, Erling Wold, Susan Norris, James Tenney, Larry Polansky, Alexis Alrich, Jody Diamond)
Tellus #15 cassette ‘The Improvisors’ 1986. (live ‘improvisions’ by Chris Cochrane, Anthony Coleman, Carol Emanuel, Tom Cora, Bill Frisell, Bobby Previte, Lindsay Cooper, Fred Frith, Irene Schweizer, Christian Marclay, Bill Horvitz, David Weinstein, Denman Maroney, Samm Bennett, Jim Staley, Ikue Mori, John Zorn)
Tellus #16 cassette ‘Tango’ 1986. (with Carlos Gardel, David Garland, Chris DeBlasio, Keeler, Brenda Hutchinson & Gerald Lindhal, Alan Tomlinson, Elodie Lauten, Jo Basile & Orchestra, Robert Scheff, Molly Elder, Matthew Nash, Jo Basile & Orchestra, Christopher Berg, Fast Forward, Mader)
Tellus #17 cassette ‘Video Art Music’ 1987. (Curated by Peer Bode with works by Woody Vasulka, Peter Chamberlain ‘5 Minutes Up’, Richard Kostelanetz, Shelley Hirsch, Joe D’Agostino, Julie Harrison, Kjell Bjorgeengen, Sorrel Hays ‘Unnecessary Music from Love in Space’, Eric Ross ‘Cadenza from Concerto for Orchestra (Op. 24)’, Megan Roberts, Jean-Paul Curtay ‘Senses, senses’ & others)
Tellus #18 cassette ‘Experimental Theater’ 1988. (works by Spalding Gray, Ann Magnuson with Vulcan Death Grip, Mike Kelley with Sonic Youth, Jerri Allyn, Ann Magnuson & Lydia Lunch)
Tellus #19 cassette ‘New Music China’ 1988 (contributing editor: R.I.P. Hayman, with: Ji Gong, Wang Li, Zhang Xing, Tiao Ba Tiao Ba, Zui Jiu, Hao Yuchi, Electronic Dirge, Xian Percussion Ensemble, Miao Love Chant, Liu Dehal, Gong Yi, Fred Houn, Chen Yi, Ge Gan Ru, Zhou Long, Wu Wen Guang, Tan Dun, R.I.P. Hayman, Jing Jing Luo)
Tellus #20 cassette ‘Media Myth’ 1988 (curated by Joseph Nechvatal, with Randy Greif, Pierre Perret, The Psychic Workshop, Social Interiors, If, Bwana, Crawling With Tarts, Violence and The Sacred, Art Interface, Minoy, Nicolas Collins, Silent But Deadly, JPM Studios, Joseph Nechvatal, A Place To Pray, Maurice Methot, Michael Chockolak, Dance)
Tellus #21 cassette ‘Audio By Visual Artists’ 1988 (works by Joseph Beuys, Maurice Lemaître, FT Marinetti, Raoul Hausmann, Antonio Russolo, Marcel Duchamp, Kurt Schwitters, Lawrence Weiner, George Brecht, Patrick Ireland, Richard Huelsenbeck, Arrigo Lora-Totino & Fogliati, Jean Dubuffet, Mimmo Rotella, Joan Jonas, Christian Boltanski, Ian Murray, Terry Fox, Jonathan Borofsky, Magdalena Abakanowicz, Richard Prince with Bob Gober, Martin Kippenberger, Jack Goldstein, John Armleder, Terry Allen, Gretchen Bender, Y Pants, Ed Tomney, Susan Hiller, Murray)
Tellus #22 cassette ‘False Phonemes’ 1988. (curated by Ellen Zweig and featuring : Remko Scha, Larry Wendt, Brian Reinbolt, Mark Rudolph, Alice Shields, Paul De Marinis, Paul Lansky, Jon English/Jim Pomeroy, Ron Kuivila, John Cage)
Tellus #23 cassette ‘The Voice of Paul Bowles’ 1989 (audioportrait incl. Bowles early compositions like ‘Music for a Farce’, ‘Interlude and Prelude # 2’, and moroccan field recordings)
Tellus #24 cassette ‘FluxTellus’ 1990. (curated by Barbara Moore, incl. a 16 page accordion fold-out booklet with Moore’s essay “The Sound Of Music”. Tape incl. early sound work by George Brecht, Philip Corner, Dick Higgins, Joe Jones, Alison Knowles, Takehisa Kosugi, George Maciunas, Jackson Maclow, Larry Miller, Tomas Schmit, Robert Watts and Emmett Williams. The cassette case includes a soundwork by Takako Saito)
Tellus #25 CD ‘Siteless Sounds’ 1991. (contains ‘political and personal views as expressed through new audiotext works” by David Wojnarowicz and Ben Neill, Shelley Hirsch, David Moss ‘Conjure’, Constance Dulong, Brenda Hutchinson ‘Voices of Reason (Vanishing Act)’, Gregory Whitehead and a collaboration with Jacki Apple, Linda Albertano, Keith Antar Mason and Akailah Nayo Oliver)
Tellus #26 CD ‘Jewel Box’ 1992, (with Anne LeBaron, Laetitia Sonami, Sussan Deihim, Bun Ching Lam, Catherine Jauniaux & Ikue Mori, Sapphire, Mary Ellen Childs, Michelle Kinney)
Tellus #27 CD ‘Mini-mall’ 1993 (incl. Brenda Hutchinson ‘Long Tube Trio’, Jin Hi Kim ‘Electric Changgo Permutations’, Pauline Oliveiros with Fanny Green ‘Time Piece’)
Tellus Tools 2xLP (TE-LP01), 2001. (curated by Taketo Shimada. Incl. selections from previous issues: Isaac Jackson, Alan Tomlinson, Joe Jones, Christian Marclay, Ken Montgomery, Catherine Jauniaux, Ikue Mori, David Linton, Gregory Whitehead, The League Of Automatic Music Composers, Maurice Lemaire, Jerry Lindahl, Tim Schellenbaum & Jack Goldstein)
Reuters – The Turin Shroud is shown in this August 1978 file photo in negative version. An Italian scientist says …
By Philip Pullella Philip Pullella – Mon Oct 5, 11:30 am ET
ROME (Reuters) – An Italian scientist says he has reproduced the Shroud of Turin, a feat that he says proves definitively that the linen some Christians revere as Jesus Christ’s burial cloth is a medieval fake.
The shroud, measuring 14 feet, 4 inches by 3 feet, 7 inches bears the image, eerily reversed like a photographic negative, of a crucified man some believers say is Christ.
"We have shown that is possible to reproduce something which has the same characteristics as the Shroud," Luigi Garlaschelli, who is due to illustrate the results at a conference on the para-normal this weekend in northern Italy, said on Monday.
A professor of organic chemistry at the University of Pavia, Garlaschelli made available to Reuters the paper he will deliver and the accompanying comparative photographs.
The Shroud of Turin shows the back and front of a bearded man with long hair, his arms crossed on his chest, while the entire cloth is marked by what appears to be rivulets of blood from wounds in the wrists, feet and side.
Carbon dating tests by laboratories in Oxford, Zurich and Tucson, Arizona in 1988 caused a sensation by dating it from between 1260 and 1390. Sceptics said it was a hoax, possibly made to attract the profitable medieval pilgrimage business.
But scientists have thus far been at a loss to explain how the image was left on the cloth.
Garlaschelli reproduced the full-sized shroud using materials and techniques that were available in the middle ages.
They placed a linen sheet flat over a volunteer and then rubbed it with a pigment containing traces of acid. A mask was used for the face.
PIGMENT, BLOODSTAINS AND SCORCHES
The pigment was then artificially aged by heating the cloth in an oven and washing it, a process which removed it from the surface but left a fuzzy, half-tone image similar to that on the Shroud. He believes the pigment on the original Shroud faded naturally over the centuries.
They then added blood stains, burn holes, scorches and water stains to achieve the final effect.
The Catholic Church does not claim the Shroud is authentic nor that it is a matter of faith, but says it should be a powerful reminder of Christ’s passion.
One of Christianity’s most disputed relics, it is locked away at Turin Cathedral in Italy and rarely exhibited. It was last on display in 2000 and is due to be shown again next year.
Garlaschelli expects people to contest his findings.
"If they don’t want to believe carbon dating done by some of the world’s best laboratories they certainly won’t believe me," he said.
The accuracy of the 1988 tests was challenged by some hard-core believers who said restorations of the Shroud in past centuries had contaminated the results.
The history of the Shroud is long and controversial.
After surfacing in the Middle East and France, it was brought by Italy’s former royal family, the Savoys, to their seat in Turin in 1578. In 1983 ex-King Umberto II bequeathed it to the late Pope John Paul.
The Shroud narrowly escaped destruction in 1997 when a fire ravaged the Guarini Chapel of the Turin cathedral where it is held. The cloth was saved by a fireman who risked his life.
Garlaschelli received funding for his work by an Italian association of atheists and agnostics but said it had no effect on his results.
"Money has no odor," he said. "This was done scientifically. If the Church wants to fund me in the future, here I am."
